Post-production, by one way or another, is the piece of the procedure that scares individuals most. Keep in mind, it isn’t troublesome. production is enormously troublesome. All you have to think about Post-production and completing your film is the steps recorded beneath. Simply approach them slowly and carefully. Your capacity will be to procure individuals and direct them by dropping in for 30 minutes here and there.
PICK AN EDITING FORMAT
There are two different ways of doing Post-production. One is the old way — the film way. Shoot film and edit. There are couple of producers who use this method today. The second is the computerized way. the electronic way. Get every one of your rushes digitized. The means are practically the equivalent in either method.
HIRE A PICTURE EDITOR
Your cinematographer is presumably a decent individual to request proposals for an editorial manager. An editor’s main task is to make an Edit Decision List (EDL). The editorial manager will read your script and take a look at the surges, and from this data, slice the film as indicated by their assessment of what improves the story. Given this immense innovative obligation, we constantly get a kick out of the chance to get an editor a long time before the venture goes into production. A decent editor will educate on the sorts of shots they will require, and advise on tricky Post-production issues before the film begins.
HIRE A SOUND EDITOR
around two months after, the image film is tight yet you have to improve the look with sound. Along these lines, contract a sound editor and a collaborator for five to about a month and a half to cut dialogue tracks, re-make sound effects, and prepare cue sheets for rearranging The Mix.
Try not to utilize any prevalent old song that you haven’t bought the rights to. Try not to try and consider open space or traditional music either, in light of the fact that it’ll either get costly or it’ll stink. Try not to utilize any pre-cleared CD-ROM music since it won’t be adequate quality. What you ought to do is essentially this: contract a musician with his or her very own studio to make shiny new unique songs and tunes that you have the rights to.
GET A DIALOGUE SCRIPT
All together for foreigners to dub or subtitle your film you should make a dialogue script which has the exact time code for each bit of dialogue so the subtitler or dubbing artist knows precisely where to put their dialogue.
GET A CAMPAIGN IMAGE
An image says a thousand words. Your campaign image is likely the primary thing a forthcoming distributor or festival programmer will see of your film. The picture (with titles and credits) should tell the viewer precisely what your film is about.
GET A TRAILER
Make a 90-120 second trailer that passes on the mood and atmosphere of your film. Regularly programming and circulation choices will be founded on the quality of your trailer.
By and by, the shoot (production) is ludicrously troublesome and overpowering, yet the alter (Post-production) is an exceptionally quiet and doable process. So, unwind and do what needs to be done slowly and carefully.